Curiosity and lifelong learning shape my work. I explore the world through its sociocultural contexts and translate these observations into visual narratives. Irony often becomes my tool of resistance and relief: it lightens the heaviness of contemporary realities while revealing hidden layers of meaning.

        My process is rooted in the reuse of cultural materials. I put my observations, which I obtain/draw largely from the internet and social networks, onto paper, creating collage as a reflection of our life. I collect fragments of physical sources both past and present and merge them into new images and stories. Acting as a sustainable image stylist, I give discarded visual language a second life.

        This practice reflects an ethical stance: much of what we need already exists. Art can reconfigure it into something both visually compelling and conceptually sharp.

        Through these layered compositions I invite viewers to slow down, to question immediate judgments, and to find unexpected beauty in the overlooked. The works operate on two levels: their surface offers joy and aesthetic pleasure, while their depths challenge assumptions and spark dialogue about how we live, consume, and remember.